"Baptised with a perfect name The doubting one by heart Alone without himself
War between him and the day Need someone to blame In the end, little he can do alone
You believe but what you see You receive but what you give
Caress the one, the Never-Fading raining in your heart - the tears of snow-white sorrow Caress the one, the hiding amaranth In a land of the daybreak
Apart from the wandering pack In this brief flight of time we reach For the ones who ever dare
You believe but what you see You receive but what you give
Caress the one, the Never-Fading raining in your heart - the tears of snow-white sorrow Caress the one, the hiding amaranth In a land of the daybreak
Caress the one, the Never-Fading raining in your heart - the tears of snow-white sorrow Caress the one, the hiding amaranth In a land of the daybreak
Reachin', searchin' for something untouched Hearing voices of the Never-Fading callin' Callin'...Callin'
Caress the one, the Never-Fading raining in your heart - the tears of snow-white sorrow Caress the one, the hiding amaranth In a land of the daybreak
Caress the one, the Never-Fading raining in your heart [Rain] - the tears of snow-white sorrow Caress the one, the hiding amaranth [Rain] In a land of the daybreak...daybreak!"
This is a great example of how to do an implied glamour shot if there ever was one! It has a very retro feel from the late 1960s/1970s owing to its muted colors and golden wash. The posing of the model is impeccable and teases pleasantly with what the model obscures with her strategically posed body and limbs. I especially like how the figure fulls the whole frame without crowding. The golden skin goes well with the earth tones of the furnishings and floor. This very much reminds me of nude studies done of Laetitia Casta in 1998 by Patrick DeMarchelier only they were done in black and white as opposed to the almost monochrome gold here. This is a great picture. Brava!
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